Showing posts with label Women in Arts. Show all posts
Showing posts with label Women in Arts. Show all posts

Monday, February 9, 2015

A Snapshot Media Review: Call the Midwife by Kelsey Price

A Snapshot Media Review: Call the Midwife
By Kelsey R. Price

Basic Information:
  • Creator- Heidi Thomas
  • Genre- Period Drama
  • It’s set to air its fourth series/season this year and is commissioned for a fifth in 2016.
  • Stars- Jessica Raine, Miranda Hart, Jenny Agutter, Pam Ferris, Judy Parfitt, etc.
  • It depicts birth, disease and the like somewhat graphically.

Bechdel Test: Passes With Flying Colors

Synopsis:  In the 1950s and 60s, the midwives and nuns of Nonnatus House must serve the poverty stricken residents of Poplar, part of London’s East End.  Episodes revolve around the personal struggles of both Poplar’s citizens and the workers of Nonnatus House.  The series is based on the memoirs of Jennifer Worth, who is the main character (Jenny Lee) in the first three seasons.       

Feminism Grade: 5/5 stars
  • It passes the Bechdel Test and usually within the first few minutes.
  • Women have a voice, agency, and strong bonds with one another.
  • All characters (male and female, young and old, of all races) are multi-dimensional and diverse.
  • Birth control, abortion, domestic abuse, rape, prostitution and many other issues are explored with tact and intelligence.
  • Men are not ignored or shown as weak simply because the women are strong.

Places to Watch: BBC1, PBS, Netflix, etc.

Other Relevant Links:

The Bookmaid's Starter List of Books by Women Writers by Becky Stowe



The Bookmaid’s Starter List of Books By Women Writers
by Becky Stowe

With Hissy Fit’s focus on the representation of women in the media for this month’s edition, I began thinking about a form of media and entertainment that is always on my mind; books (I’m an English major who works in a bookstore. Books are all I think about). As a bibliophile and a feminist, I am all too aware of how few books by female writers we all read. Sure there’s always the classics like Jane Austen, Mary Shelley or any of the Brönte sisters, but those can be a bit dated for today’s readers. I’m often asked for my recommendations on books as a reader, but now I’d like to give you some recommendations as a reader and a feminist!

Disclaimers: No Stephanie Meyer or E.L. James. You can read them if you want but I’m not going to go out of my way to recommend them. Also, this list will be in alphabetical order of the author’s last name as opposed to ranking them best to worst (down with the patriarchal hierarchies!!!).



Americanah by Chimamanda Adichie
This novel about “race, love and identity” in a post-9/11 world has received high praise from authors and editorials alike. You may recognize her as the woman whose TED talk was sampled in BeyoncĂ©’s “Flawless”. It’s clear that she deserves to be known for far more than that so watch her TED talk and then pick up a copy of this book.

The Handmaid’s Tale by Margaret Atwood
I’m not lying when I say this is one of the scariest books I’ve ever read in my short yet expansive reading career(*editor’s note: AGREED*). It’s set in a totalitarian Christian society that has overthrown the government and has completely repressed women into beings worth little more than livestock. As unappealing as this may sound, this speculative fiction serves well as a warning as to what could happen if we let far right wing Republicans take the White House in 2016 –I mean, what could happen if we don’t fight for our rights.

Kissing The Witch by Emma Donoghue
First of all, this is a re-telling of classic fairytales was done long before Once Upon A Time was even a thing so don’t you dare compare the two. Donoghue puts feminist and queer twists on stories we all thought we knew . These tales are short, dark, and decadently sweet compared to Walt Disney’s version of Grimm’s fairy tales.

Queen of the Tearling by Erika Johnson
A fantasy novel set in the 24th century with the best of Renaissance Faire fantasy worlds paired with Hunger Games/Divergent dystopia. Young Kelsea finds out that she is heir to the throne of a kingdom under the thumb of another. She’s super badass but realistic at the same time. They’re casting Emma Watson as her in the movie. That’s all I need to say.

Persepolis by Marjane Satrapi
Yay for graphic memoirs! This is an autobiographical novel about growing up in Iran during the Iranian Revolution. The readers get to see (literally since it’s all pictures) young Marjane struggle with her identity as an Iranian, a Muslim and as woman in an increasingly Westernized world.  

Sleater-Kinney No Cities to Love - Review by Jill Taylor

No Cities To Love – Review
by Jill Taylor

    January 20th marked the release of Sleater-Kinney’s long awaited reunion album “No Cities To Love” Some may call it a comeback, but others disagree, including the band’s lead guitarist Carrie Brownstein who calls it the continuation of a story they took a break from in 2006. Their hiatus lasted a painful 8 years, with many comments from all band members along the way alluding to the album, which made the release that much more satisfying. Carrie Brownstein, Corin Tucker, and Janet Weiss came together to continue the story, and damn did they deliver.
    The album begins with “Price Tag”, an epic introduction to the harsh vocals and gritty melodies to follow. Tucker’s voice resonates and reminds us all of their previous seven albums, but with obvious age and maturation. In classic Riot Grrl fashion, it forces us to bang our heads in anti-establishment pro-woman joy.
    A few skips later is the title track, “No Cities To Love”. It opens with both Tucker and Brownstein’s feisty vocals, and it brings us back to the good ol’ times of drinking PBR’s in our basements and contemplating deleting our Facebooks because fuck the man right? The song is all about not being tied down to one place, and following what makes you happy. At least that’s how I heard it while I considered packing up my car and moving straight to Portland.
    Further down the album is the eighth track “Bury Our Friends”, arguably the best-written and most popular song on the album. Exuberant and loud, Brownstein and Tucker bring it back to Sleater-Kinney’s true roots. Without seeing them perform it live I can just picture Carrie’s mouth encapsulating the mic, screaming this anthem into Fred Armisen’s loving face, spit and tears flying in every direction. The song sounds like something straight out of Portlandia, which sounds like veiled criticism but is actually indicative of the greatness that is Carrie’s writing.
    The remaining tracks, although unmentioned in this review, are equally amazing. Sleater-Kinney deserves more than just a listen, but dedication only true music lovers can give to great albums such as this. The girls didn’t lose anything during their hiatus, and if anything, gained a little passion along the way. I can’t wait to delete my Facebook, bang my head, and move to Portland when their next album comes out.

Broad City: Flowery With Female Positivity by Julie Tippey

Broad City: Flowery With Female Positivity
by Editor Julie Tippey


    For those of you on the hunt for a new comedy to help fill up your social schedule now that everyone on campus has taken to hibernating until Spring Break, you might consider for a moment the Comedy Central original series Broad City, a modern day, Seinfeld-esque, Bechdel test passing, weed-fueled, girl run comedy.
    Broad City depicts the life of two best friends, Abbi Abrams and Illana Wexler, both in their mid-twenties who live in New York, and are just trying to navigate through their lives where nothing every seems to go quite right. But here’s the best part: They have each other.
    Wait what? A comedy centered around TwO gIrLs who are FrIeNdS?? Who like SuPpOrT Each Other?
    Yes, grammatically inept stranger, yes it is. And here’s why that’s totally fucking cool.
    Because this has never been done before. Because true, girl friendship, based solely around the love for each other, that’s full of caring and tenderness and sisterhood is not something we see every day and especially not on the testosterone fueled Comedy Central channel. Abbi and Illana are BEST FRIENDS, numero unos, main squeezes, soul-mates; whatever label you throw their way, they’ll earn.
    Abbi just took a dump, can’t flush the toilet and her hot neighbor just walked in? Here comes best friend Illana to the rescue, with no second thoughts, no excuses and not a single word of teasing, she is only there to care and protect her best friend. See your best friend talking to a guy at the bar? Attack him and ask when he was last tested while she’s not looking. Illana has an allergic reaction to shellfish in a restaurant where the pair are re-enacting a Beyonce and Jay-Z date? Abbi (after a quick and mistaken adrenaline shot) picks her up and carries her fire-person style to the ambulance.
    Not only is this series flowery with girl-love, but it is relatively devoid of the usual, predictable and extremely overdone hetero relationship will-they-or-won’t-they bullshit that other comedies have. Instead, each of our characters are sexually liberated individuals, and while their sex and romantic lives are discussed, they few times provide the meat of the episode and instead are merely used to provide the backdrop for our protagonist pair’s adventures.

    Of course, there is one major drawback, Broad City is only just beginning its’ second season, meaning that there are barely three hours of total watch time (trust me, I counted). But those of you with a time machine can look forward (and also the rest of us, but with, you know, more time passing) can look forward to the rest of the second season, which began this January and the third season coming to Comedy Central in 2016. For new watchers, the first full season is available on both Hulu Plus and Amazon Prime and new episodes play every Wednesday at 9:30 on Comedy Central.