Showing posts with label Abra Myles. Show all posts
Showing posts with label Abra Myles. Show all posts

Monday, November 3, 2014

Renouncing Allowance: Exploring Gender Inequalities and Rape Culture Through Dance Part II: The Feedback By: Abra Myles



Renouncing Allowance: Exploring Gender Inequalities and Rape Culture Through Dance
Part II: The Feedback

By: Abra Myles

         In my previous installment of this series, I gave a basic premise of what my piece is about. I was obviously aware that this would create many challenges for me as a choreographer, and would create just as many challenges for my dancers and audience members. Even as a writer, I feel like this piece alone is pushing me to new heights as an overall artist that enjoys creating things that raise a few eyebrows here and there. Ultimately, I was fully anticipating the feedback I received from my faculty and peers during an informal showing of my “work in progress”. Overall, the feedback was mostly positive, however I could not shake the feeling of some negative undertones that might be solely based on fear and ignorance. After all, I am not one to hate on others just because they are ignorant. That is why we create mediums in which people can not only express, but also educate others on a new perspective.

I guess I will get down to the feedback (warning: this could come off as a “rant”)…

I received formal feedback from the dance faculty in a works in progress showing. The initial responses were great, as all of them enjoyed my movement vocabulary. I got the sense that they were all able to recognize that this piece, while uncomfortable for some to take in, is a serious and important issue that needs to be addressed. I think where we do not always see eye to eye is how to address these issues and why. As a choreographer, motivation and intention is key to having an effective piece that the audience can understand, or at least walk away with some sort of thought or call to action. This particular piece is one of those call to actions. At the very least, my desire is to have each audience member walk away thinking about how the images present reflect what is really going on in our world today.
 Aside from enjoying the movement vocabulary, some of the faculty raised some questions as to whether or not it was more effective to approach this in a more abstract or literal way. As of now, the piece gives a little bit of both. There are some ambiguous moments that happen, in which the audience will have to figure it out for themselves, and other times where it is clear and to the point. Ultimately by the end of it, it will be clear that inequality and violent acts are being shown. It will evoke emotions and hopefully a call to action to redirect our thinking in our own lives, as it relates to how we view rape culture in general and how that effects both men and women. One of the faculty members made a point to state that the piece was presenting the male presence as the villain. To me, dance is a form of storytelling, and just about every story has a villain. It sucks that it has to be the male, as I do not discredit that males can be victims of rape culture as well. However, I am female and the majority of my cast are female. It is inevitable that the female perspective will overpower the male’s. I am trying my hardest to make sure that my male’s voices are being heard, however we cannot deny that the male species has been the oppressors for so long that it is time that females have a chance to speak up.
         I am giving females an opportunity through this dance to have a voice, as so many of them have not been able to until now. The comment of the males being the villain is a constant inner struggle that I have as a choreographer, as I do not want this to be viewed as a “male bashing” piece, as I believe that is not what feminism is about. However, I have to make it clear that in order to achieve equality, we must give everyone a chance to be heard. Women have been silenced and made to feel as if their stories do not matter for so long, especially when it comes to this particular topic. Ultimately, I know that the overall response will be positive, or at least provoke thought in others. My peers had great reactions to the piece, as it caused them to ask questions and begin generating their own opinions about this topic that they did not even know they had. The feedback was helpful, as it definitely generated some more thought into how I want this piece to be presented. The creative process continues...

Monday, October 6, 2014

Renouncing Allowance: Exploring Gender Inequality and Rape Culture Through Dance By: Abra Myles

Renouncing Allowance: Exploring Gender Inequality and Rape Culture Through Dance

By: Abra Myles


              It started with a question. It seems as if all great works, discoveries, and innovations started with a question. I am in no way saying that this new journey that I am about to embark on is anything revolutionary, innovative, or special. It is simply addressing an initial question that has evolved into even more questions. We all choose to explore our questions through different mediums. Whether it is through science, art, literature, philosophy, or all of the above, there is this need to explore these questions in hopes of finding an answer. Sometimes these answers lead to an immediate call to action, while many times we simply just stumble upon new questions.
            Here is my initial question: Why is it acceptable for men to be topless and expose their chest and torso area without any scrutiny, while females are required to cover up? Of course, this question was answered immediately in my mind and through other people’s responses. Surely, it would be ridiculous to see women’s breasts hanging out all day long. It would be a total distraction, especially for men, as they would be more likely to engage in inappropriate behaviors with the woman. We wouldn’t want to tempt the man. Besides, it’s just the way things are in our society.
Of course these answers led me to more questions. Why are women’s bodies seen only as sexual objects? Specifically referring to the women’s breasts, why are they only seen as something that is pleasing to the eye sexually? We know that the breasts serve various functions other than sexual pleasure. Why is it not a distraction to see the male physique? Males have attractive qualities in their chest and torso area that women find attractive. What makes the male body so special that it is not perceived to be something that is allowed to be objectified? Question after question kept entering my brain, until finally I decided I had to explore them and find some legitimate answers.
              I’m a dancer and choreographer. Dance has always been my primary form of expression and communication. Now, more than ever, I’ve realized the importance and impact that dance can have when it comes to exploration. So, I decided to embark on a new quest. I decided that I would choreograph a piece that would address some of these questions.
              I knew that this journey would not be easy, as this would require a ton of research, self- exploration, communication with a variety of sources, and courage to expose these questions to a larger audience. I began by googling some of my questions in hopes that I would find random blogs, articles, videos, Tumblr rants, Instagram memes, etc. that would give me a clearer picture of what I really wanted to say. What I found is that the overall concept of the inequality of revealing one’s body parts between men and women was only a small portion of a bigger issue.
              One of the first things I stumbled upon was information regarding the “modesty doctrine”. I found countless articles, blogs, and YouTube rants from women and men about how this idea is a direct link to rape culture. A basic definition of the modesty doctrine is the belief that women need to cover their bodies to prevent men from being attracted to them. Along with this is the assumption that men have a right to a woman’s body. Through my research and intimate conversations with friends that have been victims of rape and/or various forms of sexual harassment and abuse, I discovered that this piece was no longer about my initial question. There was a bigger question to be addressed that would definitely lead to a call to action. I realized that this mentality that has been instilled in us as a society for so long has been the cause of so much pain and shame among women. Men also suffer from this, as gender stereotypes and expectations are heavily reinforced through this absurd thinking.
              I realized that this piece was not just about making a statement, but a call to change and healing. I’ve already begun the rehearsal process, and I’m discovering that there is a unique opportunity for others to be enlightened, inspired, and encouraged to take a stand against this mentality that is often a gateway to horrid acts of violence and instilling
              It all comes down to allowance. Women are not only put in a place of abuse and scrutiny, but have been conditioned to allow these things to happen to them. The allowance is what contributes to the shame and the feelings of lack of value and worth. This piece is about renouncing that shame. It is a renouncement of all allowances that would hinder the empowerment, acceptance, and genuine respect for all people, but particularly women that have been victimized, oppressed and abused for so long. It is an invitation for all women to realize their strength and that they as individuals are more than a pretty piece of flesh to be desired by a
              It has definitely been an emotionally grueling process for myself and my dancers so far, but I strongly believe that this is necessary in order to invite courage among all of us to offer solutions and answers to these complex questions. While this particular project consists of my dancers embodying certain “characters” that do not necessarily reflect who they are as people in their everyday lives, all of the scenarios presented reflect real life situations. This piece will also present literal and abstract themes and ideas, in order to paint an overall picture that each audience member can latch onto. Along with my choreographic process, I will be using this platform to provide bi­monthly updates and communicate with readers about what my dancers and I are exploring and discovering in our rehearsal process, in hopes that this project will reach people beyond the dance community on the campus of ISU. The issues being addressed in this piece are a worldwide issue that goes beyond what I am doing. It is my hope that my piece will plant a seed for people to start having a more open dialogue about this particular issue and that a safe place is created for this to happen. In the future I will probably include some video clips, along with some of the dancers’ commentary. Feedback is greatly encouraged and appreciated.
A little bit more about the logistics of this piece….
Every year, Dance Association (a dance RSO on campus) hosts a student choreographed concert called “Dance Inventions” in the spring semester. Members of this organization are given the opportunity to choreograph original works. These works are adjudicated by the dance faculty, as they pick which pieces will be allowed to perform in the concert. Pieces are also adjudicated to determine which ones will go to American College Dance Association (formerly known as American College Dance Festival) in March. In addition to being adjudicated and hopefully performed in the student choreographed concert, a section of this piece will be performed at Dance Association’s event, RSO Live, on October 17th at 7pm in the Brown Ballroom (Bone Student Center). Admission is 3 dollars.
Please stay tuned for what is to come, and I look forward to sharing more with all of you!